Twitter - Can you afford to not be part of the conversation

We've all heard about the benefits of getting your business represented on Twitter and connecting to your network of customers but have you considered what the consequences of ignoring this social network might be? Potentially there could be a P.R. storm brewing around your company reputation while you are oblivious to it. We had a bit of bother here this week, when one of our clients, became the victim of some spurious tweeting as they had been erroneously identified as a company that has been making unsolicited calls about pursuing mis-sold PPI policies. I think we all know about these calls, texts & emails that are unwanted and intrusive. The details of this episode are of no more importance so we will spare names, etc. But it raised a very serious issue about reputation management if you have a Twitter/social media presence, as our client does or if you do not, which we feel is worthy of a few mentions here.

Shockingly, given that the company had been mis-identified, they became the victim of some brief but quite spiteful tweeting, which had it gone unnoticed, could have caused a nasty bump in their reputation. By its nature Twitter is at its best when breaking news and the story spreads fast and wide. As it was both we and they got on top of it and wrote a suitably worded email to the person that posted it, pointing out the error and demanding an apology. Which for the record was willingly given, the tweet deleted and an apology posted.

However it raises point number one. Twitter is a written medium in the public domain and as such is bound by all the same libel laws and protections as anything else similar, like a Facebook post, a comment on Linkedin or an email (where there is now strong legal precedent). It is therefore incumbent upon anybody posting anything that they remember this fact and think twice before submitting anything controversial.

On the flip side I think our client handled their own situation perfectly and responded straight away, made direct contact, politely pointed out the error and demanded the withdrawal which is point 2. In an environment like Twitter, necessary responses really must be thought through but as far as possible, immediate, time can quickly become an enemy.

What has really got me thinking though, is point 3. What had happened had our client not had a Twitter account and were blissfully unaware that a reputation fire was burning around them. The simple truth of social networks is that in reality there is no opt in or opt out, the only difference is if you are not active then you have zero control over the conversation, but if you are then you have the opportunity to be proactive and shape what is being said.

The statistics of what is posted on Twitter are staggering; 250 million tweets per day, over 100 million active Twitter users and if like me you are part of that community then you will see first hand how breaking news spreads instantaneously across it. Perhaps the most famous example being the posting of the amateur film when the plane came down in the Hudson River, or the death of Amy Winehouse beating the BBC to spread the sad news.

This subject is particularly relevant at the moment due to the news this week regarding the jailing of a student who made racially offensive comments about footballer Fabrice Muamba on Twitter. This is another example of how comments made online can be treated every bit as seriously and are governed by the same laws of libel as comments made in the press or elsewhere.

So I am pleased that our client has escaped the clutches of a bad press day this week but I am now just a wee bit more worried, nay paranoid about whatever else may have been missed. My advice, join the conversation and of course, make sure you use an expert to help you. As you know the Lamb door is always open for a cup of tea and a chat...

Linked in to LinkedIn?

Mark Huxley speaks about his continuing love affair with LinkedIn, the importance of staying connected with industry peers and how he has rekindled various old professional relationships that might otherwise have been lost. He discusses why LinkedIn is such a crucial social media tool for professionals worldwide and what you might be missing out on if you choose to ignore it.  ______

I have been a member of LinkedIn for quite some time now and to me it has become an integral part of my working life. I love the connections I have made, more so I have relished the countless numbers of my own working past that I have reconnected with. I follow many of the debates that the Groups throw up with a passion and it has become an automatic go-to place for much of the research I do. I cannot then fathom those that I speak to who refuse to use it or have a closed mind to all the benefits it can bring.

I think it is the truth to say that LinkedIn is the single form of professional social media that we recommend to every single client we work with. To me it is the world’s largest online directory of professional people, the companies they work for, the Groups that interest us all, the endless volumes of research and communication tools as another tool. None of us would not use the phone or email, so why would someone elect not to use LinkedIn?

Some statistics…

  • 150 million users Worldwide
  • 8 million users in the UK
  • 2 new members sign up every second
  • Circa 4.2 billion searches made on it in 2011
  • More than 2 million companies now have profiles on LinkedIn

So why do we advocate it so widely? Firstly and most importantly, unlike all other social media channels it exists for one reason alone; it is purely for professional people undertaking their professional lives. In that task, it cannot be doubted that they have utterly succeeded.

If you make the leap of faith and start using it, after some polishing of your LinkedIn skills (which many a trained professional can help you with) you will soon be:

  • Keeping in touch with an entire network of people, crossing many professional boundaries. With their own activity everything will be current, saving you lots of hard work in keeping track of what they are up to. Don’t forget friends beget friends, so you will be able to constantly build your own network, sharing friends old and new
  • You can invite your rolodex of business cards to come join your network
  • Share and collaborate upon what you are working upon and for that matter anything of wider interest to you and them
  • By joining the myriad of Groups that it has, you can drill into specific sectors and topics, seeing the current thinking and rumours on the street.
  • Actively join in discussions, either asking questions or sharing sagely opinions
  • Keep in touch with companies that are of specific interest to you, who’s joining, who’s left, what are they doing right now
  • Research more about the people you are going to meet for the first time. What is their role at the company, how long have they been there, where did they come from, what have they done in their past
  • Take out one of the paid for packages and you can see who’s been looking at your profile, really helpful if you’ve been targeting a specific person or company

Frankly the list is endless and every day LinkedIn creates new services that are aimed at making all our professional lives just that little bit easier and more interesting. If I finish with one word of caution, then it is that LinkedIn is only a tool, like your phone or email. The real art of networking is still the face-to-face time that makes the whole working relationship work. They are still founded upon friendship that harbours trust and builds the opportunities to prove worth in work, act or deed, which leads to the long-term relationship. This must never ever be forgotten!

How does your exhibition stand reflect your brand?

Following on from the interest in Neil's recent post about the approaching BIBA 2012 conference (google analytics is a wonderful thing) we thought we would continue with a look at exhibition design from a brand perspective and why it should be part of your marketing budget.

An exhibition show is potentially one of the more exciting parts of your marketing calendar – exciting because after developing your identity and brand guidelines you can focus on bringing your company identity off of the printed page or out of the screen. You are going to have to figure out how to bring your brand to life and represent it in a physical environment. Exhibition design is a chance to make that all important first impression of your company to a potential new lead and doing it well can mean the difference between gaining new business or being overlooked.

 

Why exhibit at all? 

It can be a big chunk of your marketing budget, planning it is time consuming and it forces your staff out of their comfort zone and into the paths of the masses. Well that last point is the key isn't it – exposure. Exposure, new leads and relationship building all hopefully leading to increased business.

 

First things first - know your brand

You need to know what your brand stands for before you can ensure that your exhibition presence is reflecting your company consistently. If you've been through any sort of a branding exercise you should know the key values to communicate in order to represent your brand consistently. Your brand identity will of course include the basics... logo, colours, font, image library specifications, etc., but should also include more abstract concepts that represent your brand such as feeling, tone, emotion, etc.

 

Know why you are there

Consider and decide what your exhibition goals are before you start thinking about stand design. The most successful and suitable stands are born out of considered briefs detailing clear goals of what a client wants to achieve from exhibiting at a conference show.

Parti example - Lamb CMC

Begin with an idea. There is a term in architecture, parti – or parti pris 'to make a decision' – which means the underlying concept. It is similar to the big idea in branding; the single thought which is the foundation on which everything else is built. Let's say that your big idea or focus for the stand is accessibility - this informs any decision along the design process by giving focus to a core thought to come back to. A parti is this focus of satisfying the original idea condensed down into a simple statement or sketch of what the aim of the project is.

Thinking about your stand in its simplest form helps focus the development process by prompting you to consider whether any particular design decision is staying true to or enhancing the original idea behind the stand. This can inform furniture selection, floorspace required, brightness of lighting, materials, finishes, on stand experience, etc.

For example, there will be a big difference in the design approach of the stand depending on whether your focus is a simple brand promotion exercise compared to if it is a new product launch. In the former your message may be 'here we are, this is our company, we're showing our face, a dependable reliable showing year after year', all that can be done with a logo and an engaging structural design. In the latter case the group branding may take more of a secondary backseat with the focus shifting to your new product; the group branding sitting in the background lending gravitas and instant recognition to the product launch.

 

What can a stand say about your brand?

A stand should reflect your brand - if your company is all about investing time with clients and providing a bespoke service to them then build a stand that allows you to invite those guests on, provide comfortable furniture and take time to speak to them. If you want to show you are a busy dynamic company then make your stand a lot brighter with lots of presentations, less furniture and a shorter stand experience time.

Think of your stand as a shop front for your business; it's an opportunity to reflect all of your brand values in a way that you never can do in the reality of your office layout. Perhaps you are based 100s of miles from your potential clients in which case an exhibition stand allows you to take your world to them.

If you think of billboard advertisements - they work on a 3 second rule. They need to grab the attention of passing motorists and deliver a message to them within those 3 seconds of a car passing by. Exhibition stands are the same albeit with slower moving traffic passing through the aisles but the principle remains. Don't bombard people with an essay of text across 3 walls, they will process and retain less than 5% of the message.

As we've mentioned, this is a chance to create a physical presence of your company brand - try to exploit the senses. You're not tied to the visual sense of a website, you can play with lighting, tactile material, aroma, taste, performance and hotwire straight into potential customers sensory perceptions.

Your message can be sophisticated in what it communicates about your brand but it has to be succinct and easily processed by the audience.

Strive to make it memorable past the event. You want to sow that seed in people's heads so that when they stumble across your company in a couple of months time they recognise the brand and recall the associations with your company that you've prompted through your stand design.

 

Your people

Often in branding projects we are trying to get inside a company's ethos to understand what makes them unique, especially in financial companies where so much is based on personal relationships and the quality of a company's people. Often in insurance companies this comes down to the characteristics of people within that company and the personal relationships they can develop with clients.

An exhibition stand is a chance to bring them out from behind an email address or phone number and press the flesh with potential clients. A stand needs to make your people comfortable to shine, that means giving them the confidence to sell your business at its best. If they are proud to stand in front of that stand it will come across to the attendees at the conference.

As the old adage goes 'first impressions are everything'. To a completely uninterested visitor a good stand will plant a seed. To a potential customer it could tip the balance. To an existing customer it should reaffirm their positive feeling towards your company.

 

An example to illustrateMAPFRE BIBA exhibition stand - Lamb CMC

Shameless self-promotion plug warning: take one of our clients MAPFRE, a global insurance provider. MAPFRE came to Lamb CMC recognising that they needed to develop their UK identity which meant a full brand evaluation and development project. Once this was complete it naturally progressed into a marketing campaign including a showing at last year's BIBA conference. This was MAPFRE's first showing at BIBA so it was key that they made a bold statement ensuring people realised that they were there.

The brief: MAPFRE wanted to arrange slots of time with a number of visitors throughout the day, they wanted them to experience something of the company's heritage and they wanted their stand to be remembered.

The informed audience of insurance brokers all knew MAPFRE as a Spanish company so we used that heritage as our hook and focussed our design around Spanish hospitality. We took their bold graphic identity and incorporated it into a stand using a combination of branded panels and traditional wood materials (making it stand out within the usual stand design finishes).

It was a small stand space which was a factor we turned into a strength adding to the tapas bar feel we decided to have no large furniture, encouraging visitors to stand and chat. We took the height of the stand up to add a sense of an enclosed intimate refuge within the large Manchester exhibition hall. Finished the feel with a professional tapas chef offering tapas and freshly sliced jamon. Beer on tap. Who could resist?

No walls full of small text, no long lists of products, no branded biros - it's not what people will remember after the event. One simple concept - Spanish hospitality; a warm welcome, good people, good conversation, plenty of food and drink, all in an informal relaxed space. It certainly stood out amongst the other stands last year, so much so that it won the best small stand award and the organisers were still struggling to get visitors to leave hours after the exhibition had finished.

What does someone take away from it? A sense of who Mapfre are, what they're about, what the people behind the brand are like and what drives them - all with their brand subtly sitting there in the background. That experience remains associated with MAPFRE and is remembered whenever that logo is seen in the future by visitors.

 

To see some more examples of our exhibition design check out our work section on the site - click here

 

Our top 5 Spitalfields coffees

Seeing as many of our clients are from the insurance industry which, with Lloyd's being built up around the legend of Edward Lloyd & his coffee house and most of us using the mighty coffee bean as a staple of our working day, we consider ourselves fortunate to be situated in Spitalfields within walking distance of many top-draw establishments. We thought we'd give a run down of our own top 5 places to grab a fine coffee around our office.

 

5. Carluccio's

Straight in at number 5 with their no nonsense Italian approach of keeping it simple and doing it well – it's got to be Carluccio's. With a choice of 2 blends of coffee bean to choose from it's great for a quick take away en route to the office, even better when the sun is shining and the outside tables suddenly become a lot more appealing.

 

4. Mr Coffee

Generally you wouldn't think you'd get particularly good coffee from a mobile barista but trust us, Mr Coffee consistently serves up great coffee. Situated on Brushfield Street outside the RBS building this humble looking little coffee van does both a very good espresso and Italian cappuccino. None of the bucket sized portions being sold in the adjacent Starbucks - Mr Coffee keeps its drinks small and intense. Mr Coffee - He's so Frothy.   

 

3. Albion

If there's a better way to start the day than with an Albion coffee and one of their freshly baked cheese and marmite rolls then we can't publish it here. The latest in Terrence Conran's offerings this Quaker/Shaker style minimalist all-day café has a real focus on great British food and drink. There is some great quality produce on offer as you enter along with freshly prepared food to takeaway or, if you have the time, then the sit down restaurant also serves some great British fare.

 

2. Foxcroft & Ginger

The new kid on the block - Foxcroft & Ginger are at the top of Commercial Street on Shoreditch High Street. They've had a shop on Soho's Berwick Street for a while and recently opened up in one of the containers in the new Shoreditch Boxpark pop-up mall a few months ago. The Boxpark itself is an experience worth visiting – a collection of shipping freight containers converted into retail spaces and offered out to companies on short-term lets. Using the Monmouth coffee blend they serve their coffee in a mismatch of china and glassware all adding to the quirkiness of it all. We're not sure what the deal is with the short-term lets but hopefully they will remain there for a good time to come.

 

1. Nude Espresso

Lamb's unanimous number one had to go to our old favourite a few doors up from us on Hanbury Street. Nude Espresso serves up delicious coffee made with their own signature blend roasted just around the corner in part of the old Truman Brewery on Brick Lane.

The most important thing is it is close by and it serves excellent coffee. They do great food too especially the biscotti and a particularly cheeky almond croissant incase you're in an indulgent mood. Run by Rich, a Kiwi who is passionate about his coffee. If you get the chance then make sure you try their flat white guaranteed to satisfy even the most pickiest of coffee snobs. In an area with some great coffee on offer Nude Espresso stands out amongst them all as one of London's best.

 

Honourable mentions

Tea Smith -  not a coffee house so we couldn't include it in our top 5 but really worth a visit if you're ever in the area. They take making a brew to a new level at their teabar style shop, great tea, relaxing atmosphere and very informative when they are preparing your drinks. Exceptional teas indeed.

Market Coffee House - an old stable of the area, it hasn't lost any of its old school charm whilst the surrounding area has continuously modernised.

The Daily Grind - situated in Spitalfields market this place is always busy and bustling and has been the same ever since we've been here - great atmosphere.

 

Are there any coffee shops that we have missed off our list that you recommend we go and investigate? Leave us a comment and we will be sure to check it out.

A (fairly) quick guide to digital vs litho printing

So you've finally got that design signed off on the new marketing brochure you've been working on for months – now you need to decide how you are going to print the piece? The growth of digital printing technology has brought technical advancements, more options, and exciting new features to today’s commercial printing. It has also brought some confusion. An understanding of the advantages and disadvantages of digital printing and how those compare to traditional offset lithography is critical in making the right choice when placing a print order. What's the Difference?

Offset lithography is the most common high volume commercial printing technology. In offset printing, the desired print image is burned onto a plate and is then transferred (or offset) from the plate to a rubber blanket, and then to the printing surface. The lithographic process is based on the repulsion of oil and water. The image to be printed gets ink from ink rollers, while the non printing area attracts a film of water, keeping the non printing areas ink-free.

Digital printing eliminates many of the mechanical steps required for conventional printing, including making film (film is rapidly becoming a thing of the past with most new presses being CTP – computer to plate) and making plates. Don’t make the mistake of thinking that digital print is the same as running copies from your PC to a laser or inkjet printer, the digital print presses used by printers are much more sophisticated than that!

Digital PrintingAdvantages of Digital Printing

  • Shorter turnaround.
  • Every print is the same. More accurate counts, less waste and fewer variations, due to not having to balance ink and water during press run.
  • Cheaper low volume printing. While the unit cost of each piece may be higher than with offset printing, when setup costs are included digital printing provides lower per unit costs for very small print runs.
  • Variable Data Printing is a form of customisable digital printing. Using information from a database or external file, text and graphics can be changed on each piece without stopping or slowing down the press. For example, personalised letters can be printed with a different name and address on each letter. Variable data printing is used primarily for direct marketing, customer relationship development and advertising.

Offset Lithography PrintingAdvantages of Offset Lithography Printing

  • High image quality.
  • Works on a wide range of printing surfaces including paper, wood, cloth, metal, leather, rough paper and plastic.
  • The unit cost goes down as the quantity goes up.
  • Quality and cost-effectiveness in high volume jobs. While today’s digital presses are close to the cost/benefit ratio of offset for high quality work, they are not yet able to compete with the volume an offset press can produce.
  • Many modern offset presses use computer-to-plate systems as opposed to the older computer-to-film work flows, further increasing quality.

Not Sure Which is Right?

Obviously we will help select the right method for you based on the project, but use the following checklist to help you decide which is for you

  • Quantity. Offset printing has a front-end cost load. Short runs may have a high unit cost. But as quantities increase, the unit cost goes down with offset printing. Very short runs can be much more cost effective with digital printing; while larger quantities are likely to have a lower unit cost with offset printing.
  • Printing medium. Do you need or want a special paper, finish or unusual printing surface, or unique size? The options are increasing continually for digital, but offset printing still offers the most flexibility.
  • Colour. Digital presses mostly use four-color process printing. If you need only black ink or one or two ink colours or special metallic inks, offset printing may offer a more cost-effective solution. If you need four-color printing, digital may offer advantages in lower up-front costs. If you’re planning to print using the Pantone® Matching System, offset printing will give you the best match, since it uses actual Pantone® ink. Digital printing simulates the colour using a four-color matching process, so some digital printers may offer less accurate colour matching on projects. That said many top end digital presses already have colour matching systems to match special ink colours and no doubt will continue to improve.
  • Turnaround. If you need it fast, digital usually offers quicker delivery.
  • Proofing. Digital offers accurate proofs since you see an actual sample of the printed piece. Accurate colour proofing for offset printing can be expensive as it involves making plates and preparing the press, to create what we call a ‘wet’ proof.
  • Customisation. Without question, digital printing offers the most affordable way to customise marketing materials, direct mail pieces, letters etc.

Are insurance sellers failing in building trust with their customers?

In a recent survey of 400 nationally represented insurance buyers, a clear message has been given that despite all the advertising and hype, there remains a serious lack of trust in insurance providers.

  • Just under 73% believe that insurance providers make the terms and conditions in their policies deliberately complicated.
  • Half believe claims are never paid out fairly.
  • A third believe that insurance providers expect them to lie about a claim.

The survey was originally carried out on behalf of the CII, commissioned Lamb Creative Marketing & Consultancy Limited in partnership with research specialists, Illuminas. It attempts to understand the buying motivations of insurance buyers and overlay them alongside the perceptions they have of the industry.

Mark Huxley, Director of Lamb, himself a veteran of the insurance industry said "The results of this survey may seem shocking, but in reality, should we be surprised? Probably not, buying insurance is for many, perceived as a distressed purchase."

What is perhaps sad is that at a time when there has never been more insurance advertising, much of it drives price first and foremost, with features and sometimes service then coming in a distant second. Looking at the survey it cannot be disputed that price is a real determinant of converting an insurance sale, with 72% of the respondents attesting to this fact.

However we need to look a bit more deeply. We questioned further about what factors are the most important when taking out or renewing a policy, their replies were clear and unambiguous. 89% stated that they look to their provider to be trustworthy and 79% said that it is important for insurance advisors to have professional qualifications related to insurance.

This whole survey has thrown up some interesting matters to debate here at Lamb. Hundreds of millions of pounds are being spent by the industry on advertising their products. Apart from the choice of celebrity endorsement or comedy character it is hard to differentiate one from another. Do these adverts work? To themselves, undoubtedly they raise brand awareness, in some cases to unprecedented levels. But when aligned to the brand experience that an insurer actually wants to portray, I fear they do not. Clearly the buyers out there are looking for someone to trust and that message is just not getting through. Dare we say that perhaps it is time for the focus to shift.